On my Ethnic Architecture class last Monday, my lecturer said something like this :
Without questioning, you can't go anywhere. Questions are start of somethingWe were talking about our paper back then and I found that someone has finally make that thought into a full sentence. Of course he might not be the first and that may not exactly how he said it. But I guess this one is my favorite version.
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| Proposal Daisakusen. Nagasawa Masami and Yamashita Tomohisa. A sweet love story (that seems to be my favorite kind of movie) and friendship. |
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| Atashinci no Danshi. Mukai Osamu and Horikita Maki. My first Dorama. A story about the value of family. Touchy, yet not the kind that would make you cry. One of the best that I would watch all over again. |
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| Dragon Zakura. Abe Hiroshi, Yamashita Tomohisa, Koikei Teppei, Nagasawa Masami, Aragaka Yui. A story about a lawyer who become an instructor of a special class. He made a bet to make 5 students of a poor high school to enter Tokyo University. Lots of life lesson to learn, lots of learning methods to copy. Finally, a realistic drama, not the one to pamper your aim to reach higher :) |
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| Orange Days. Tsumabuki Satoshi and Eita. A good story of university students. Plus people with disabilities and how they conquer the world :) |
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| Hachimitsu to Clover. Mukai Osamu and Ikuta Toma. university students; their lives and their dreams. Choices and possibilities. |
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| Voice. Eita, Ishihara Satomi, and Ikuta Toma. Story about medical students (you know how I love the story of them) being accepted into a seminar of forensic pathology Conveying the message of those who have dead. My first japanese medical drama. |
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| Code Blue. Code Blue SP. Code Blue 2. Yamashita Tomohisa, Aragaka Yui, Higa Minami, and Toda Erika. Another story of medical students with lots of blood and victims. One good thing about this movie is that it shows that doctors are human too, with possibility of wrong-doings. |
